In 1983, frustrated by multiple attempts to secure a record deal, Ira Ingber and I decided to put out our own extended play record (EP), on our own label, "Beautiful Concept Records". Attempting to push the boundaries of popular music, we were convinced that people would accept odd rhythmic timings, e.g., 7/4 or 7 beats to a measure, if the underlying beats held to a steady quarter note pulse.
We were able to record during "off hours" at my studio, Skyline Recording, and finished "Leapfrog" b/w "Funny Ha Ha, Funny Strange", after multiple late night sessions. The songs were loosely based on fables; Leapfrog nspired by "The Scorpion and the Frog", and Funny Ha Ha, Funny Strange by "The Emperor's New Clothes".
Paul Delph, created the swamp atmosphere in the opening of Leapfrog, using only his analog Prophet 10 synthesizer, as well as the pizzicato strings and talkbox fx, while Pat Mastelotto pounded out the rhythm (not easy in a 7/4 time song) with his new Simmons drums.
Ira cameo'd on bass, and of course played all the guitars.
I engineered and sang.
After raising money (no Kickstarter back then) from friends and family ($3,000), we began the journey of transferring our masterpieces onto vinyl; no mp3's in those days (too bad for us).
We brought the final mixes to legendary mastering engineer Bernie Grundman to finesse the sonic finishing touches for the lacquer master (he had to insert a "de-esser" to suppress to the “spilt second decision” s's during the bridge), created the cover art with the guidance of my godfather, Marc Davis, and the talents of Ira's then wife, Bonnie, figured out the color-separation process with the help of graphic artist and future star, Phil Hartman, and had pictures taken by the sublime Ben Swets.
I hand delivered the finished EP's to record stores, and we eventually sold about half of the the pressings (250).
Hate to sound like an old fart, but geez you kids have got it easy.
Record and mix in your bedroom, and then upload.
Get off my lily-pad!
